The institutional subscription may not cover the content that you are trying to access. Oxford Academic is home to a wide variety of products. View the institutional accounts that are providing access.View your signed in personal account and access account management features.Some societies use Oxford Academic personal accounts to provide access to their members.Ĭlick the account icon in the top right to: See below.Ī personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Some societies use Oxford Academic personal accounts to provide access to their members. If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Aspects of the drawing and “color” of the well-known typeface Galliard, an earlier Carter design, are also evident in the Yale face.įirst developed for use in Yale’s current signage initiative, the Yale typeface was extended to include bold roman and bold italic fonts suitable for print and Web work and as of August 2014 it is provided in the OpenType file format which is cross-compatible with Macintosh, Windows, and Unix operating systems.Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Matthew Carter’s “Yale” recovers the strength of the Aldine original and updates it by sensitively simplifying the essential letterforms and their details. Unfortunately, digital versions of Bembo lack the vigor and weight of either the De Aetna face or the original Monotype version of Bembo.

It appeared regularly in Yale publications of all kinds. The resulting typeface, Bembo, proved to be one of the most widely used and highly regarded book faces of the twentieth century. In 1929, Stanley Morison of the Monotype Corporation in England led a project to revive Aldus’s De Aetna face. Arguably, it has had the greatest influence upon subsequent type design of any Renaissance typeface. A copy of this book may be found in the collection of the Beinecke Rare Book & Manuscript Library at Yale.Īldus Manutius was among the most prolific and successful publishers of printed books in his day, and the De Aetna face was used to set a number of his scholarly publications which were widely distributed and admired in Renaissance Europe. “Yale” is inspired by the late-fifteenth-century Venetian typeface that first appeared in Pietro Bembo’s De Aetna, published by Aldus Manutius in 1495.

Pietro bembo de aetna